It is not a bad decision in my opinion as even with the heavier and grungier edge of Vale, it still delivers for BVB fans and should still please general hard rock and heavy metal fans alike. With long, melodic guitar solos from Jake Pitts and the ever-changing higher-pitched vocals from Andy Biersack, Black Veil Brides still show exemplary form вЂ“ even if the direction of the band has grown into something different since their previous releases. I want to talk to you about our record The Phantom Tomorrow. You can read a statement from frontman Andy Biersack below: 'Hey there. Instead of June 04, the album will be coming out on October 29th via Sumerian Records. The hints of synthesizer that have been dabbled with in this track and вЂњOur DestinyвЂќ give an interesting new slant to the familiar recipe, and show the band are still not afraid to experiment with different ingredients and styles twelve years after their conception and numerous iterations. Black Veil Brides have revealed that their new album 'The Phantom Tomorrow' is being delayed. It is worth bearing in mind that they started as a primarily metal-core band on 2010вЂ™s debut We Stitch These Wounds, whereas their musical style took an interesting diversion into a more symphonic direction with 2013вЂ™s Wretched and Divine: The Story of the Wild Ones вЂ“ largely in part due to the classical influence of rhythm guitarist Jinxx.ДЄs but one example of this diversification of influences, вЂњDead Man Walking (Overture II)вЂќ is certainly one of my favourites on this new release, encapsulating the fundamental BVB sound within the annals of its 8:32 length. Although Black Veil Brides have not particularly reinvented their style of hard rock and heavy metal, they have brought shock-rock back to the masses after its long absence from the industry, and still they manage to bring something new to the mixing table with every new release. The familiar monologue narration the band often adopt starts the album with intro track вЂњIncipiens Ad FinemвЂќ, before falling smoothly into the oh-so-reassuring tones of вЂњThe Last OneвЂќ. as part of the influences for their mainstream-friendly sound and image, how they became the darlings of the Kerrang! generation they have morphed into. In fact, they acknowledge these bands and others like Twisted Sister and W.A.S.P. While the feisty, Imagine Dragons-meets- Twisted Sister vibe remains their forte, it's Vale's pop proclivities that ultimately win out, suggesting that future endeavors may rely less on fighting the man, and more on working alongside him.Costumed and face-painted shock rockers Black Veil Brides are back with a new album which released on January 12th earlier this year and, even though they are a band I am yet to see perform live, their act still intrigues me in much the way striking costume bands often do вЂ“ such as KISS, Lordi, and MГ¶tley CrГјe to name a few. Five albums in and BVB continue to grow, albeit slowly. Frontman Andy Biersack continues to be an engaging presence, despite delivering lyrics that sound like they were assembled via a Warped Tour-themed magnetic poetry kit, and the band has a knack for putting new coats of paint on familiar melodies - the plucky singles 'The Outsider,' 'When They Call My Name,' and 'My Vow' land of all of their punches, even though the listener can see them coming from a football-stadium field away. and Vale follows a similar path, though it does make some semi-direct references - spoken word sections and orchestral flourishes abound, as does a general predilection toward pomp and melodrama. The band's 2014 eponymous fourth long-player, while not directly linked to the rock opera that preceded it, didn't deviate too far from its predecessor's overall message - rise above, speak truth to power, I am sad, etc. Easily their most pop-oriented release to date, Vale finds Black Veil Brides completely jettisoning their metalcore past, and while they may have lost some bite in the transition, it kind of suits them. Picking up where 2013's Wretched and Divine: The Story of the Wild Ones left off, Vale sees the goth-glam metal troupe once again reveling in the dark pageantry of rock & roll by way of a narrative-driven 12-song set that's generously stocked with fist-pumping singalong choruses, buttressed with wordless gang vocals and slick guitarmonies.

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